art of living in australia 12 ON AUSTRALIAN WINE 3 THE SOIL

The Art of Living in Australia

by Philip E. Muskett

- Together with three hundred Australian cookery recipes and accessory kitchen information by Mrs. H. Wicken, Lecturer on cookery to the Technical College, Sydney.

Worldwide Cookbooks

The Consumer Viewpoint

SIMPLE ITALIAN COOKERY

American Woman's Home

Art of Living in Australia

Cooking Eggs

Elegant Art of Dining

Guide to Marketing and Cooking

Italian Recipes

Meal Preparation

School and Home Cooking

Physiology of Taste

Tried and True Recipes

Library of Cookery

Hans Christian Andersen . American Fairy Tales . Grimm's Fairy Tales

Aesop's Fables - Tales with Morals . Mother Goose . Mother Goose in Prose


THE SOIL.


People as a rule run away with the idea that the soil for the grape
must necessarily be of a rich character. Even the farmer, thinking of
wheat growing, and the market-gardener, thinking of his turnips, are
apt to entertain a similar belief. But the truth is that the vine is a
hardy plant and will grow in almost any place that is not water-logged
or otherwise unsuitable. In America the definition of a soil adapted
for the grape is expressed in the following phrase:--"Land that is
suitable for vine-glowing is land that is not suitable for anything
else." This is of course an extravagant way of stating the matter,
still it is worth recalling. We may say this much, however, that almost
any soil will do for the vine, provided that it does not bake and crack
in the summer, nor get wet and boggy in the winter. A simple test is
said to be adopted by the vine-growers of the Rhine. A specimen of the
soil is put into an earthenware vessel into which boiling water is
poured to cover it, after which it is undisturbed for three days. If
the water on being tasted gives a mouldy or salty taste, the soil is
believed to be unsuitable.

In considering the soil we must pay heed to its physical and its
chemical characters. By its physical characters we mean its looseness
or stiffness, its depth, and its colour. This looseness is a matter of
much importance. It fulfils the great indication required in a soil for
grape-growing; that is, a soil which will not remain damp after having
been well wet. There is a marked difference between a stiff clayey soil
which dries up and cracks in summer, and a loose soil which is always
moist a little below the surface.

The depth of the soil is a matter that varies in accordance with the
climate. In warm districts the vine requires more room for development,
and goes deeper. In the cooler regions it has a sufficiency of
moisture, and can content itself with a shallower soil. The colour of
the soil, like its depth, is a matter of consequence according to the
climate. A dark soil absorbs heat, becoming hotter consequently, while
it reflects but little on the plant above. On the other hand, a
light-coloured soil absorbs very little heat, but reflects almost the
whole of the rays upwards upon the vine. From this it follows that a dark
soil is better in a cooler climate, because there is generally an
excess of moisture; while a light colour is more suitable in the warm
regions, for the moisture is then retained.

The chemical constituents of the soil play no inconsiderable part in
assisting the development of the vine. Of these, however, there are
only five--namely, nitrogen, phosphorus, potash, calcium, and iron--
to which it is necessary to draw attention. For the successful
cultivation of wheat and other cereals a richly nitrogenous soil is
invaluable; for turnips and maize one rich in phosphorus is of great
advantage; but for the vine potash is of considerable importance. It is
true that nitrogen and phosphorus are necessary for the production of
the vine wood, but it is for the fruit itself that the potash is so
much required. As it is well known, the deposit known as winestone or
"cream of tartar," on the inside of the cask by the fermentation of
wine, is really tartrate of potash. In a similar way the potato is a
plant which requires a supply of potash, and without it there is a
manifest diminution in the crop. But in the case of the vine, unless
there is a sufficiency of potash, the leaves do not attain to their
full development; the stem is stunted to one-fourth of its natural
size; and there is little or no fruit at all. Calcium or lime has a
marked effect in increasing the strength of the wine. For this reason,
therefore, this element is more necessary in the cooler than in the
warm regions. And finally, there is that other chemical
constituent of the soil, which deserves a brief notice, and it is iron.
Now, the presence of iron therein has a distinct effect in deepening
the colour of a wine. This is without doubt the reason why our
Australian wines, as a general rule, are so rich in colour.

The Art of Living In Australia

art of living in australia 00 preface

art of living in australia 00 contents

art of living in australia 01 THE CLIMATE OF AUSTRALIA

art of living in australia 02 THE ALPHABETICAL PENTAGON OF HEALTH FOR AUSTRALIA

art of living in australia 03 ABLUTION THE SKIN AND THE BATH

art of living in australia 04 BEDROOM VENTILATION

art of living in australia 05 CLOTHING AND WHAT TO WEAR

art of living in australia 06 DIET

art of living in australia 07 EXCERCISE

art of living in australia 08 ON SCHOOL COOKERY AND ITS INFLUENCE ON THE AUSTRALIAN DAILY LIFE

art of living in australia 09 AUSTRALIAN FOOD HABITS AND THEIR FAULTS

art of living in australia 10 AUSTRALIAN FISH AND OYSTERS 01

art of living in australia 10 AUSTRALIAN FISH AND OYSTERS 02

art of living in australia 10 AUSTRALIAN FISH AND OYSTERS 03

art of living in australia 10 AUSTRALIAN FISH AND OYSTERS 04

art of living in australia 10 AUSTRALIAN FISH AND OYSTERS 05

art of living in australia 10 AUSTRALIAN FISH AND OYSTERS 06

art of living in australia 10 AUSTRALIAN FISH AND OYSTERS 07

art of living in australia 10 AUSTRALIAN FISH AND OYSTERS 08

art of living in australia 10 AUSTRALIAN FISH AND OYSTERS 09

art of living in australia 10 AUSTRALIAN FISH AND OYSTERS 10

art of living in australia 10 AUSTRALIAN FISH AND OYSTERS 11

art of living in australia 10 AUSTRALIAN FISH AND OYSTERS 12

art of living in australia 10 AUSTRALIAN FISH AND OYSTERS 13

art of living in australia 10 AUSTRALIAN FISH AND OYSTERS 14

art of living in australia 10 AUSTRALIAN FISH AND OYSTERS 15

art of living in australia 11 ON SALADS SALAD PLANTS AND HERBS AND SALAD MAKING

art of living in australia 12 ON AUSTRALIAN WINE 1 AUSTRALIAN DAILY DIETARY

art of living in australia 12 ON AUSTRALIAN WINE 2 THE CLIMATE

art of living in australia 12 ON AUSTRALIAN WINE 3 THE SOIL

art of living in australia 12 ON AUSTRALIAN WINE 4 CEPAGE OR VARIETY

art of living in australia 12 ON AUSTRALIAN WINE 5 THE GROWING OF THE GRAPE

art of living in australia 12 ON AUSTRALIAN WINE 6 THE MAKING OF THE WINE

art of living in australia 12 ON AUSTRALIAN WINE 7 THE TASTING AND JUDGING OF WINES

art of living in australia 12 ON AUSTRALIAN WINE 8 UNIFORMITY IN AUSTRALIAN WINES

art of living in australia 12 ON AUSTRALIAN WINE 9 THE FUTURE SUCCESS OF THE AUSTRALIAN WINE INDUSTRY

art of living in australia 13 AUSTRALIAN COOKERY RECIPES THE KITCHEN

art of living in australia 14 THE ICE CHEST

art of living in australia 15 THE STOCK POT

art of living in australia 16 SOUP

art of living in australia 17 FIFTY RECIPES FOR SOUPS

art of living in australia 18 FIFTY RECIPES FOR FISH

art of living in australia 19 FIFTY RECIPES FOR MEAT DISHES

art of living in australia 20 FIFTY RECIPES FOR VEGETABLES

art of living in australia 21 FIFTY RECIPES FOR SALADS AND SAUCES

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